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Monday 28 February 2011

Paranormal for rent

2008 saw many new encounters and changes for me, one of those changes was a new address Weslyn Coppenhall Lane Crewe.
A two bedroom bungalow freshly painted and modernised being single at the time this I thought would form a great bachelor pad. After a few weeks I found out that the bungalow was in fact a newly converted John Wesley Chapel which from the outside you would of never of guessed such was the transformation.
A few weeks passed by and apart from light bulbs frequently blowing and taps seemingly switching themselves on nothing out of the ordinary happened.
The floor space in the bungalow had allowed me to use it as a make shift studio, photographing mainly fashion and glamour work, it also had quite a large attic space you could clearly see the old brick line from the Chapel dating back to 1803.
One of the major draw backs of living here was the damp, which was only evident some weeks into living there. It did cause huge issues with the walls eventually destroying clothes.
I was considering moving because of this issue but another factor played a huge part in my decision to move...  I was sharing with non paying residents of the paranormal kind.
One particular night March the 7th 2008 I was sat in my living room enjoying a peaceful evening with my girlfriend when she felt that something was strange in the room. Which upset her to the point of tears; I also felt that the temperature had changed. With always a camera at hand I decided to fire off a few shots around the house. Nothing seemed to be evident in the shots so I progressed into all the rooms. It was my spare room that grabbed my attention; the temperature was dramatically colder even though all radiators were on the same level throughout.  You could see your breath in this room so I turned around and photographed various areas including my spare wardrobe. The mirror seemed to pick something strange up so I up loaded the images to my computer to get a clearer look. I’m sure opinions will be different and some may find them questionable. For me I could see a few characters in the mirror, one of those characters almost seems like a black and white period photo. On closer inspection I came to the conclusion that the image to the right hand side looks like a woman in period dress from the 1800’s holding a baby. The other strange image is the shape sat on my bed in the reflection almost gargoyle in looks and my ruffled duvet cutting through the image.  From then on having never experienced any kind of spookiness in my life before to say I was a little freaked out would be an understatement.
Click on the images to enlarge

Original image in colour


The second night I photographed the same wardrobe at the same time same camera and settings to see if it was something on the mirror or camera but nothing.

The day after shot


Weeks passed with no other evidence of strange goings on apart from the taps continually switching on and of course the bulbs blowing. One thing was evident to me was this heavy atmosphere this is the hardest thing to describe without experiencing it yourself. It felt weird I felt watched on occasions as well but I put this down to the previous events still spooking me . Some days the house would feel pleasant and homely other days in felt quite the opposite.

The next photo was taken on the very last day of leaving the house ( Chapel) I had cleared all my stuff out but decided I'd use the toilet before I left . Now I know this photo is odd because I stood in front of the loo, whilst I was stood there I felt as if someone was stood behind me so as I had my camera in my pocket I thought I'd click a shot over my shoulder. I couldn't see anything with my eyes but the camera did pick something up. I looked at my view finder and made a hasty final escape from the house.


I know its not a pose that I would of chosen to share with everybody but hopefully whats in the far left corner is more interesting.

To the right hand side of the main figure it seems as though there is another face ? 
The Weslyn Chapel dates back to 1803 and was one on John Wesley's methodist chapels, below are a few photos of that period.

Extract from the history of John Wesley



John Wesley (1703 - 1791)
John Wesley was an Anglican clergyman born in his father’s parish at Epworth. After an education in Charterhouse School and Christchurch College Oxford, he entered a period of self questioning and spiritual searching. This took him to Georgia in America and Herrnhut in Germany. His conversion in Aldersgate Street (London) in 1738 is commonly agreed to mark the formal beginning of his evangelistic ministry.
He travelled around the country on horseback, preaching wherever he had opportunity. His Journal was written to enlighten his fast-growing group of followers. He preached the universality of grace and his message had a particular appeal to those moving from an agrarian lifestyle into the fast burgeoning industrial cities. Bristol, Cornwall, Newcastle upon Tyne and many towns and cities in Lancashire and Yorkshire were places where Methodism soon had a stronghold.
After the independence of America, Wesley pleaded with Bishop Lowth of London to ordain priests for the new Republic. The bishop refused which led to Wesley undertaking ordinations himself in 1784. This was, arguably, the one single factor which made the emergence of a separate Methodist Church inevitable.
John Wesley also took an active interest in politics and social reform. He was particularly interested in medicine; he experimented with electrotherapy, operated a pharmacy out of his first London chapel, the Foundery and also wrote a book of medical remedies called ‘Primitive Physic.’ He was also a keen abolitionist and campaigned vigorously until his death for the abolition of slavery. Wesley died in his home at Wesley’s Chapel, London on 2 March 1791, aged 87. 




John Wesley went on tours throughout the remote sections of the British Isles to preach enthusiastically to the neglected masses.  He began to preach the born-again gospel in open fields.  Pandemonium broke loose at his revivals, which were complete with exorcisms, healings, and visions. 
John Wesley would preach several times a day no matter the weather.  He drew outdoor crowds of up to 32,000 people.  Nothing like this had ever been witnessed before.
John Wesley and his followers were sometimes beaten by mobs and bombarded with stones, bricks, and fruit.  Apparently some took umbrage at his message of sin and salvation.  And not just Wesley, John Smythe, "the Conjurer," was the most mobbed Methodist in Ireland and eventually murdered.  William Seward was blinded and then torn to pieces by a mob in Hay. Methodist preaching houses were pulled down in many cities of England.

Hope you found my blog interesting, please email me with your thoughts.

Thursday 17 February 2011

Bownessie Lake Windermere's new species

In my youth like many youngsters Arthur C Clarke’s mysterious world programme captivated me, stories of Big Foot, Yeti and of course the Loch Ness monster, truly fascinating. Little did I know then that I would be so heavily involved in such a sensational story myself, or the fact I would spend sleepless nights contemplating the bold move in publishing photos of England’s own Nessie. Publishing such controversial photos being a full time professional photographer living on the edge of Lake Windermere weighted heavily on my mind and my career. Like most of the population of adults today I too was sceptical of the unknown, great for after dinner discussions and a giggle whilst reading tabloid newspapers that is until you have witnessed something with your own eyes.
February the 5th 2007 changed my views forever, having dropped the kids off at school my wife and I decided to take a walk up to the summit of Gummers Howe situated south of Lake Windermere. The summit offers the best vantage point overlooking the lake with views stretching miles, my purpose that morning was to photograph jet planes skimming the fells at eye level. Armed with professional cameras and binoculars and of course a thermos flask we climbed to the top, the summit offered clear blues skies with a little mist towards Newby Bridge and a mirror finish to the lake.
After several shots of the distant mist hanging in the tree’s we waited patiently for planes to come into view, observing the Lake to pass the time. I cannot remember who first saw the strange shape cutting a distinctive path across the lake but it was jaw dropping to state the obvious.  Virtually opposite to the caravan site Hill of Oaks measured at three kilometres from the summit of Gummers Howe swam this large dark shape diving then resurfacing in a slightly different point. Of course I took a few photographs checked the view finder but with only a 300 mm lens to hand and being hand held all that was showing was a dark dot in the horizon.  With binoculars the image was clearer and more defined but it still left us both wondering what it could be, your rational mind tries to suggest it’s , a tree, Deer, wild fowl  but it’s shape, size and movement suggested not. After 15 minutes of this event the anomaly disappeared but left quite a lasting impression on us both. I took the images back to the studio and loaded them onto my computer where the little dark dot was more vivid once on a desktop screen the big question now was what next.
As the photographs were taken on a professional Canon camera and shot in camera Raw format as appose to Jpeg it would be easy to get the images validated so I sent them off to Canon UK. A letter came back supporting the validation and future equipment support, next was a forensic report to uncover other information like size and location. Mark Carr an independent forensic photographer spent three days analysing the memory card and was ultimately satisfied that I had genuine images.
Here are a few extracts from his report,
 ON a number of the images (particularly 48) there was a darker patch of pixels contained in the anomaly. It was not possible to resolve this any further (in part due to camera shake and in part due to the distance the anomaly was away from the camera). This effect could be due to their being a solid object. I would estimate this darker patch to be as much as 4m in length on shot 48.




In conclusion, based on the information I have been given and the checks I have so far been able to carry out I am satisfied of the following:
  1. The images I have seen have not been digitally modified or are the result of a camera or lens error.
  2. The position of the anomaly was around 2.8 to3 km away from the camera.
  3. The anomaly was approximately 150-200m off shore from the northern most boat house.
  4. The overall anomaly is at least 15m in length.
  5. The darker area observed is at least 4m

I then contact Ian Winfield a leading ecologist from the Freshwater Biological centre on Lake Windermere to get his opinion,
On the basis of my 27 years experience as a professional freshwater fish ecologist, including leading research programmes on Windermere for the last 17 years. This size estimate means that I cannot explain the photographs by reference to any fish or other vertebrate previously demonstrated to inhabit Windermere.

Another professional specialised I contacted was    
Fixerlabs technical director to take a look at the files, Fixerlabs have countless years dealing with images for the US Navy, EU commissions and UK DOD. The letter came back stating that they were genuine and matched my description.
The next step was to release the images to the National press.
All images copyrighted to Linden Adams Photography, Bownessie is also subject to copyright and Trademark


With news today of another close encounter perhaps a real search of scientific value will happen on Lake Windermere this time.
.http://www.thewestmorlandgazette.co.uk/news/8858988.Is_this_Windermere_s_mysterious_Bownessie_monster_/




Thursday 3 February 2011

weddings in Cheshire

Cheshire wedding venues
Cheshire wedding photography

Styal Lodge
Styal
Venue type: Lodge / Cottage
Description:
Styal Lodge is a new and exciting bespoke wedding venue set in the peaceful national trust village of Styal, in the beautiful Cheshire countryside.
Styal Lodge is an exclusive, contemporary and most importantly individual wedding venue.
The Lodge is a beautiful eco-friendly building, constructed from Finnish timber with a private terrace and gardens.
Inside the Lodge is a luxury Wedding suite.
Wedding photography inside and outside allowed.
Lower Peover Golf Club
Lower Peover
Venue type: Golf Club
Description:
Despite its rural tranquillity Peover Golf Club is only 20 minutes from Manchester Airport. Situated just off the A556, our venue is very accessible from Manchester, Chester, Lymm, Holmes Chapel, Northwich, Sandbach, Wilmslow, Warrington, Altrincham the M6 & the M56. It is one of the most unique & aesthetically pleasing venues in the North- West
Set in the middle of our parkland course; the venue has been built to a very high standard using only top quality materials. Airy & light it requires little or no dressing at all.
Words cannot do it justice!
Guests may take refreshments on the terrace overlooking the 18th green & bask in the peace & beauty of the surroundings.
Wedding photography inside and outside allowed.
Combermere Abbey - The Glasshouse and Walled Garden Pavilion
Whitchurch
Venue type: Historic Building
Description:
Weddings and partnership ceremonies at Combermere Abbey - an historic estate on the Shropshire/Cheshire borders, take place in The Glasshouse. Sitting in the heart of the only Fruit Tree Maze in the world at the end of a mile long drive, the elegant fan shaped building full of style and drama, is surrounded by beautiful Walled Gardens.
Guests enjoy complete peace, privacy and excellent service with exclusive use, however large or small the gathering. With 180 degree views of the gardens, this light and airy room seats up to 120 for a ceremony and reception drinks. The Glasshouse is set up with chairs and tables and has toilets, catering kitchen and bridal dressing room.
Winter Weddings: The Glasshouse is perfect for winter weddings celebrated with small intimate groups of friends and family.
Wedding photography inside and outside allowed.
Grosvenor Pulford Hotel
Chester
Venue type: Hotel
Description:
At the Grosvenor Pulford Hotel & Spa we are here to make your Wedding Day dreams come true. Weddings are our speciality, whether it is a small intimate gathering or a large celebration. Licensed to hold civil ceremonies and civil partnerships, we offer a unique alternative to a traditional wedding.

The gardens are the perfect setting for wedding photography, from countryside backdrops to a lake with a bridge and centre island, a thatched gazebo and a picturesque courtyard with a central fountain.
Wedding photography inside and outside allowed.
Haslington Hall
Haslington, Nr Crewe
Venue type: Country House
Description:
Haslington Hall is a Grade I listed Hall set within 25 acres and also boasts 2 private lakes.

The Hall is self dates back to 1545 and offers 6 bedroo
ms, Private Butler, 3 lounge areas. Within the Estate we also have a Fixed Marquee. Civil Ceremonies can be arranged on site.
Wedding photography inside and outside allowed.

Linden Adams photography offers comprehensive wedding packages to meet most Bride and Groom's budgets. Further information on wedding photography in Cheshire and finding a professional wedding photographer can be found on my web site.
Kind regards
Linden  





Wednesday 2 February 2011

Food Photography in Cheshire



Food Photography can be hard work for some photographers with images produced looking flat and unappealing. My approach is different in many way's regardless of the fact who the client is at the time, certain rules I follow help to establish a positive approach first.


1. I do some research on my client before the first consultation find out how photography has been approached before. You will be surprised how many clients have never seemed the importance of good photography and frequently  use a small compact or mobile phone to photograph .


2. Where are the photographs going to be used, local magazines adverts, web sites or brochure work.


3 Good communication with the kitchen is of great importance and paramount in achieving the very best images. The Chef is generally my best critic, if he is impressed with the images then I'm half way there. I discuss what are the signature dishes and how they are presented, it's no good the Chef presenting dishes that are specials or one off' window dressing dishes  if when the public enter they don't represent the establishment. This would only damage the reputation of the business.


4. Apart from a little tool bag of essentials like a water sprayer, cotton buds and tweezers, I don't dress food up for the camera. Some photographers do use tricks and tamper with the food like sugar glaze etc. But I think keeping it real shines through the final images anyway.


5. If the final images make you and everyone who views my work hungry then the job is done, remember one good image in an advert or on a web site should speak volumes about the business.


6. Food should be treated like any other still life subjects and well lit is essential to achieving the best results. Open any local magazine or go through various web sites and you will find loads of poor examples of food photography where these simple rules have been broken or simply not put into practice. I find the best place to photograph is in the dining room with many bright windows giving loads of natural light. Try using a flash and bounce it off the ceiling to remove shadows. The aim is natural looking food shots .


7. I pay attention not only to the food but the arrangement of the setting, for example the style of plates and bowls, are the knives and forks clean and free of scratches. I try not to clutter the shot keep it clean and simple remember the food is of the most importance in the final image.


8. I find that speed is so important, a sorbet for example takes seconds before you have just water on the plate.  I work quickly and communicate with the kitchen I'm always prepared for what is coming out next. It's no good changing batteries in a flash or finding your memory card is full just when the souffle is coming out.


9. Presentation is so important, just like landscape photography the rule of three thirds applies here too. A balanced looking dish is ideally what I require so height, colour and shapes need to apply.


10. I have pointed out some of the essential steps that I take to achieve the results I desire, check out my web site for yourself  http://www.lindenadamsphotography.co.uk/  and if you have any questions then drop me a line .  


Now who's hungry ?